“A compendium of arias you know and love…
stunning costumes…expert lighting…a treat!”.
THE INDEPENDANT - Michael Coveney
“Sheer joy!”
“A gem of an opera and dance evening”
“Totally captivating!”
THE DAILY EXPRESS - Paul Callan
“Mitch Sebastian fuses (24 well-loved arias) together with a thread of choreography that digs deep into the soul and speaks volumes about the human condition.”
“Consummately beautiful”
“Without drawing breath and with a studied intensity that
never lapses, it moves seamlessly from the mischief of
Mozart’s The Magic Flute into the medieval fires and
skulls of Handel’s Rinaldo.”
“Pure sensuousness”
“There is pure sensuousness in arias like Catalini’s Ebben,
Ne Andro Lontana, physical comedy in the Drinking Song
from La Traviata and electrifying flamenco from Carmen.”
“Laura Stanford’s solo violin sets the stage alight.”
“An explosion of light and colour and it burns
itself on the mind.”
THE STAGE - Review - Pat Ashworth
“Be seduced by the sheer spectacular panache of
Mitch Sebastian’s production…excellent performances
…breathtaking…outstanding”
Malcolm Warner
“Unashamedly Opera for the You Tube generation”
WHATSONSTAGE – Review – Michael Davies
“What an Electrifying Night!”
“The Viennese carnival atmosphere was stupendous –
costumes, masks, shoes, dance and of course,
the stunning opera.”
“The Electronic Revolution was outrageous –
Rock meets Opera!”
“What a treasure”
HARBOROUGH MAIL – Review